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CLAES OLDENBURG/
COOSJE VAN BRUGGEN
Soft Shuttelcock, Study 1994
canvas and wood painted with latex
33 x Dm 203 cm
"The main reason for making a soft version of a known hard
object may be (I think more and more it is) to dramatize or isolate
the
condition of softness. And other conditions such as the response
to 'gravity' - this condition under which objects appear to exist,
and we as objects, as matter, appear to exist." (1969)
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